The worst bbc christmas ever | thearticle

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There has been a lot said about trends which have been accelerated by coronavirus. All kinds of failing institutions have blamed Covid-19 for what’s happened to them over the past year:


British universities, airlines, newspapers and many more. All had systemic problems and coronavirus just sped up the process. The latest example is British terrestrial television. Recently I


bought the Christmas issue of the _Radio Times_ or as they call it “the legendary double issue”. In a depressing year this was one of the most depressing things I have seen. Let’s start


with Christmas Eve. BBC1 offers a mix of repeats and game shows. Among the repeats there’s _Gavin and Stacey _“in last year’s special”, a “celebration” of _Have I Got 30 Years for You _and a


repeat of the previous Saturday’s _The Two Ronnies Christmas Sketchbook_. Who knows how many times those sketches have been warmed up? BBC2 has _The Morecambe and Wise Christmas Show_, _The


Two Ronnies Sketchbook_ (sound familiar?), Michel Roux Jr offers “a festive tasting tour of his favourite restaurants in Bristol”. The one real highlight is an evening of MR James


dramatisations and a documentary about MR James, all on BBC2, but when you read the very small print you realise that all three programmes are repeats. BBC4 starts with “Fanny Cradock Cooks


for Christmas” and continues with an evening of programmes about Elvis Presley. Channel 4, which used to be the thinking person’s channel, has _The Great Christmas Bake Off_, _One Night in


Hamleys _(three comedians “are locked inside the famous toy shop … where they get to run wild, play games, raid the shelves and do all the things they dreamed of doing as kids”). It gets


worse on Christmas Day unless you like two hours of Victoria Wood repeats (BBC2), five hours of opera (BBC4), Jeremy Clarkson and _Alan Carr’s Epic_ _Game Show_.  Much has been said about


why young people don’t watch terrestrial TV any more. Is it any wonder? These are two of the biggest nights of the TV year and the five main UK terrestrial channels have basically served up


a bucket of cold sick. In the 1970s, BBC1 would offer the original _Morecambe and Wise Christmas Show_ and, more recently, _Doctor Who _with David Tennant or Matt Smith, _Gavin and Stacey_,


a three-part _Sherlock _story or (last year) _Dracula_. All original material, all high-quality_ _comedy and drama. I single out the BBC because year in, year out, they won the ratings


battle over Christmas. That’s what most people watched. This year, there is nothing on terrestrial TV over Christmas that I would watch.  Someone at New Broadcasting House should keep this


copy of the Christmas _Radio Times_. One day it will be framed in a museum, marking the end of the BBC as a national institution, the year the BBC became like PBS, CBC in Canada or The


Australian Broadcasting Corporation (ABC), worthy, publicly funded and largely unwatched.  One word that isn’t in “the legendary double issue” is cheap. All those repeats and game shows,


compilations, cheap old Elvis Presley movies cost less than a three-part drama with Benedict Cumberbatch and Martin Freeman. Executives will say it’s the fault of coronavirus. How could they


film dramas during shutdown? Normal service will be resumed next year. But it won’t. Is coronavirus to blame for the BBC’s decision to endlessly run a mini-documentary with Tom Brook to


mark the 40th anniversary of John Lennon’s murder? Or for someone in drama commissioning David Hare to write another terrible four-part drama series or for whoever commissioned the wokish


_Novels That Shaped Our World_?  The mix of cost-cutting and woke politics this year have done for the BBC. They have alienated countless viewers who have fled to Netflix, Amazon and Disney.


Next year, how many hardcore news addicts will abandon the BBC for the television news channel GB News? The question is: Will the new Director-General, Tim Davie, have any solutions to this


crisis? Will he clear out the voguish leftism of the BBC or find a new revenue stream that will help the BBC take on the cable giants?  A MESSAGE FROM THEARTICLE _We are the only


publication that’s committed to covering every angle. We have an important contribution to make, one that’s needed now more than ever, and we need your help to continue publishing throughout


the pandemic. So please, make a donation._