Pyrenean victory  | thearticle

feature-image

Play all audios:

Loading...

As the Angel of Death passes over the land, following a similar south to north trajectory as that taken by The Black Death of 1348, scapegoats now, as then, have to be found. In the


fourteenth century guilt was often directed towards the Jewish population. During the current health crisis, blame for the deaths tends to fall on Boris Johnson and the UK government, who


did, or did not, institute the lockdown at the right time, either too early, or too late, according to taste. Another popular scapegoat is the migrant community, in particular illegal


immigrants, displaced persons and refugees, said to be arriving in dinghy loads in the environs of Dover. Nigel Farage was, apparently, even admonished by the police for contravening the


Coronavirus curfew by taking his binoculars on a day trip to the White cliffs, to observe the invasion forces in action. It is worth recalling, though, that even a reigning World Chess


Champion twice found himself in such unenviable circumstances. Alexander Alexandrovitch Alekhine (pictured above), one of the most brilliant and charismatic figures in the history of the


game, was World Chess Champion from 1927 (when he defeated Capablanca) to 1935 and again from 1937 (when he regained the title from the Dutch Grandmaster Max Euwe) until Alekhine’s death in


1946. After the Russian Revolution of 1917 Alekhine already cast himself in the role of émigré. There was no way such a free spirit could possibly have existed for long within the


intellectual straitjacket of the fledgling USSR. Alekhine, therefore, found a way to escape to France and start life anew as a chess professional. At the outbreak of the Second World War,


Alekhine was still a resident of France, thus, unfortunately, falling into the hands of the Nazi occupation forces, who quickly recognised the propaganda value of exploiting the presence of


the World Chess Champion. Indeed, in the early 1940’s Alekhine won some of his most brilliant games and notched up several impressive tournament victories. In these Nazi-run events Alekhine


completely outclassed the great Paul Keres the Estonian Grandmaster who had triumphed at the elite AVRO super-tournament of 1938. Had Alekhine confined himself to playing chess, all might


have been well. Tragically for him, he had also unwisely allowed his name to become associated with widely publicised anti-Semitic slurs in the Nazi controlled _Pariser Zeitung_ against such


eminent Jewish titans of the game as Emanuel Lasker, Aron Nimzowitsch and Samuel Reshevsky. For this reason perhaps, Alekhine had been denied a visa to America, where a much anticipated


rematch for the world title might have been staged between him and his erstwhile victim, Capablanca. Quite possibly these clumsy articles were forgeries, as he was later to claim, but if so,


Alekhine did insufficient at the time to distance himself from them. If, on the other hand, they were genuine, as many still suspect, it was an entirely superfluous gesture to cultivate


favour with his Nazi overlords. The mere fact of Alekhine being World Champion and gracing Nazi tournaments in Salzburg, Munich, Krakow and Prague with his illustrious presence, would have


been quite sufficient for propaganda purposes. By late 1943, though, it had become clear to Alekhine that the Nazi imperium was tottering and it was time to depart. After turning up late for


a chess display against the German officer corps in Paris, Alekhine departed by train to the Spain of Generalissimo Franco, where a variety of chess events were conceived in his honour. It


seems that Alekhine had no trouble passing from France to Spain, and he arrived in Madrid, pockets bulging with Reichs Marks, which had still retained their value at that time. For other


eminent members of the European intelligentsia, though, crossing the Pyrenees to escape the Nazis was far more of an ordeal. In order to reach Spain by the officially approved route, it was


necessary to hold an exit visa from France, an entry visa to Spain and, on top of all that, a letter of transit. Shades of the movie _Casablanca_, which describes exactly that kind of


bureaucratic nightmare. One strangely Quixotic figure, the American Varian Fry, even set himself up as a kind of anti Nazi Scarlet Pimpernel, with an ambitious programme to rescue prominent


Europeans from the Damoclean Swastika. On his list of potential exiles were Andre Gide, Max Ernst, Marcel Duchamp and Andre Breton, none of whom, as it happened, needed to be rescued, since


most of them were already in New York. Those whom Fry did help to escape included Thomas Mann’s brother and son, Heinrich and Golo, not to mention Franz Werfel, at that time married to the


serially polyandrous Alma Mahler, who also formed part of the exodus. Apart from visa complications, the fleeing intellectuals were also advised to travel light, since the train journey,


across the Pyrenees, usually involved stopping at Cerbère on the French side of the frontier, before proceeding to the station at Port Bou on the Spanish section of the border. Alekhine


possessed the necessary documents, so his transition in 1943 would have presented no problems to him. Those taking the Cerbère route, who had the required documents, were permitted to stay


in comfort on the train, for the crucial leap from Cerbère to Port Bou. For the group assisted by Fry, things were less simple. Initially the border crossing was controlled by Vichy French


officials, who were quite relaxed about the requisite paperwork. As hostilities progressed, the Nazis took control and escape became that much more arduous. Alma Mahler, for example, was


told to bring one suitcase. She brought twelve, packed with her jewellery and copies of Gustav Mahler’s musical compositions. At Cerbère she was obliged to detrain, clamber clandestinely


over an unguarded small hill, and rejoin the same train with her luggage (guarded by the faithful Fry) at Port Bou. Others were less fortunate. The German/ Jewish philosopher and essayist


Walter Benjamin, made it to the haven of Port Bou, only to be turned back by the border equivalent of the Guardia Civil. Overnight, unable to face the prospect of deliverance into the hands


of the Nazis, who would undoubtedly have sent him to a concentration camp, Benjamin committed suicide by taking a large dose of morphine. A few tablets were left over and another celebrated


(Hungarian) Jewish writer, Arthur Koestler, also attempted to kill himself by ingesting the remainder. These turned out to be insufficient and Koestler had to wait another four decades


before successfully self-terminating. Not long after, Stefan Zweig himself, though in Brazil and in little danger from the Nazis, would also take the suicide route, writing: “My own power


has been expended after years of wandering homeless.” Koestler it was who, having eventually reached the safe haven offered by the United Kingdom, went on to coin the term “Mimophant” to


describe the mercurial Bobby Fischer, Alekhine’s later successor as World Chess Champion; a Mimophant being a “hybrid species, a cross between a mimosa and an elephant. A member of this


species is sensitive like a mimosa where his own feelings are concerned, and thick-skinned like an elephant trampling over the feelings of others.” As for Alekhine, his circumstances in the


Iberian Peninsula gradually worsened. During the war years, organising chess events was not at the top of the agenda and Alekhine turned to drink. His results deteriorated, leading to some


embarrassing defeats against opponents whom he could normally have thrashed in simultaneous displays. He ended his days, a tragically displaced person, holed up at The Palace Hotel, Estoril,


in the environs of Lisbon, out of money, out of luck and out of opponents, an invitation to the London 1946 Victory tournament having been rescinded when protests were made concerning his


alleged authorship of the anti-Semitic _Pariser Zeitung_ diatribes. In 1985 I interviewed the long-standing barman at the Palace Hotel, who remembered Alekhine well, asserting that a down at


heel World Chess Champion of Franco-Russian background blended rather well with the international assortment of agents, spies and generally rootless usual suspects who had congregated


around Lisbon at that time. A final lifeline was thrown, when a challenge to Alekhine for the world title was issued by Mikhail Botvinnik, via the Soviet Chess authorities. The British Chess


Federation was to be the host, and it would have been a fascinating clash of ideas. Sadly it was not to be, since Alekhine, the only champion ever to die in possession of the title, choked


on a piece of meat and passed away on the evening of March 25, 1946. Alekhine was unfortunate in selecting both his enemies and his friends. As a Russian aristocrat, he enraged the nascent


but increasingly influential Bolshevik chess fraternity by defecting to France after the Russian Revolution. Worse, he befriended chess enthusiast Hans Frank, Gauleiter of the Nazi


controlled Generalgouvernement of Poland during the occupation, later to be executed at Nuremberg for war crimes. Finally, Alekhine alienated the post-war Jewish chess community by failing


to distance himself with sufficient clarity from the _Pariser Zeitung_ fulminations against Jewish chess grandmasters. I conclude by giving a link to a curiosity, a consultation game played


at The Belvedere Palace in Warsaw, against Grandmaster Efim Bogolyubov, twice challenger for the world title, partnering SS Sturmbannfuhrer Helmuth Pfaffenroth, with Alekhine and the


notorious Hans Frank on the winning side. A Pyrrhic victory indeed, since such close associations with prominent Nazis were later to contribute to the denial of his American visa and his


final days of destitution as a refugee in an entirely different kind of Palace.