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THE 18TH ELEPHANT; 3 MONOLOGUES directed by _K P Balan _ 63 minutes There was a time when more than 350 species of the elephant roamed the Earth. Hunted down for ivory and bludgeoned into
domestication, only two species survive today. In Kerala, where elephants are part of a number of religious rituals, the male female ratio of these animals is a perilous 1:40. The film under
review is a gruesome expose of humankind's brutality towards the gentle giant. _The 18th Elephant _ derives much of its force from its narrative style: in an unusual break from the
classic style of documentary, three elephants present a litany of their woes. Their tone is accusatory and angry. The protagonists deride the hypocritical attitude of humans towards
elephants: the gentle giants are revered but also drugged and tortured into submission as mascots of religious institutions and tourism syndicates. There are also images of the the frenetic
trading in the animals at the annual cattle fair in Sonepur, Bihar. Though the film's script slackens sometimes, the powerful visuals work on the viewer. Images of the animal being
tranquilised during it's _musth _ period, an injured tusker dragged about by earth movers, people hacking the ivory from a dead tusker and elephants crammed into tiny enclosures poke at
the viewer's conscience. That is precisely the objective of the film maker, K P Balan. "We do not want to be controversial. Our film is intended to make people look at themselves
and elephants differently. After all, the earth is not just for humankind," he says. The film, which took three years to make, was shot in Kerala, Karnataka and Bihar. It has also been
feted, both nationally and internationally. But awards are not what Balan is after. He has shown the film in educational institutions in different parts of Kerala. "The response has
been quite encouraging," he says optimistically.