'polished, assertive, on the attack': what to know about karen read's trial style

Crime “THERE’S AN OVERALL PERSONA THAT SHE'S VERY MUCH PUSHING THAT IS NOT WHAT ONE WOULD NORMALLY DO IN A CASE LIKE THIS.” By Abby Patkin updated on May 21, 2024 7 minutes to read

Striding into the courthouse day after day with sharp tailoring on display and her bicoastal legal team by her side, Karen Read more closely resembles a Sheryl Sandberg-esque boardroom power

player than a woman on trial for murder. In a case chock full of bombastic rhetoric and loud speculation, those following Read’s trial say the defendant’s styling choices send a firm, but

unspoken, message: “I am a force to be reckoned with.”  Read tends to favor more structured silhouettes and often wears darker colors to court, which might signal to jurors that she is

“powerful, unafraid,” said Andrew Caple-Shaw, who leads a team of trial consultants as managing partner of the firm ACT of Communication. Advertisement: “The defense strategy seems to be

that there’s a conspiracy, and ‘we’re positioning ourselves to fight the conspiracy,’” he said. “That’s the only rationale I can find for the approach that she’s taking in terms of the way

she’s dressing and carrying herself, is that she’s framing herself as some kind of hero taking on a conspiracy.” Read’s facial expressions during her trial and assertive engagement with the

media also feed into that narrative, Caple-Shaw said.  “There’s an overall persona that she’s very much pushing that is not what one would normally do in a case like this,” he added.

Advertisement: Of course, “unusual” is the watchword when it comes to Read’s case. The 44-year-old is accused of backing her SUV into Boston Police Officer John O’Keefe, her boyfriend of two

years, on Jan. 29, 2022. Prosecutors allege the Mansfield woman was driving drunk following a night out with friends and left O’Keefe to die in the snow outside a fellow Boston police

officer’s home in Canton. Read’s lawyers have pushed another story, suggesting that O’Keefe entered the home for an afterparty and was beaten, attacked by the family’s pet dog, and dumped

outside. Read, they say, was framed in a massive coverup among witnesses and law enforcement.  WHY DOES STYLE MATTER IN THE COURTROOM?  As the fervor surrounding Read’s case turned her into

something of a local folk hero — or villain, depending on your stance — the defendant’s clothing, facial expressions, and courtroom conduct were ripe for online dissection.  The research

surrounding defendant appearance goes back decades; one 1978 study in _Law and Human Behavior__ _explored the bias effects of a defendant’s dress on their verdict and sentencing, focusing

specifically on personal attire versus institutional uniforms. And in 2010, researchers at Cornell University found that unattractive defendants often face harsher sentences — 22 months

longer in prison, on average.  Advertisement: In both civil and criminal cases, the jury ends up spending a lot of time looking at the parties in a case and noticing how they carry

themselves, Caple-Shaw said. Attire and styling are part of that nonverbal dialogue, he explained, but it’s less about achieving a specific look and more about keeping a person’s appearance

consistent with their narrative.  “So if we’re telling the jury that this person is always punctual and their shirt’s always untucked, it’s like, ‘Well, I’m hearing one thing from the

lawyers and I’m seeing a different thing with my own two eyes,’” he said.  At ACT of Communication, the emphasis is not on teaching witnesses how to act in a courtroom, but how to be

authentic and compelling, Caple-Shaw explained. Likability, approachability, and openness are the cornerstones, he added. “Essentially, that you have nothing to hide and that you’re the kind

of person that is ready and willing to share,” Caple-Shaw said. “We find that generally, we’re looking towards earth tones and pastels for women, but especially earth tones.” Softer

materials and colors are generally the right move, and “you definitely want to stay away from things that are striking, bold, or powerful,” he added. That also means choosing minimalist

accessories over flashy watches and jewelry. Advertisement: “If I had one phrase that I would use to sum up the way we want to dress someone for court if we want the jury to like them and

believe them, it is, ‘If you’re paying attention to the clothing, you’ve already lost,’” Caple-Shaw said. Shannon Shaming, who runs the YouTube channel Mindful Crime Couture, held up A-list

actress Gwyneth Paltrow as the gold standard of courtroom styling. Paltrow notably made a case for “quiet luxury” during her ski crash trial in Utah last year, showing up to the courthouse

bathed in sumptuous-yet-tasteful earth tones.  “If I were on trial, or was advising a client, I’d study from the style Bible of Gwyneth,” Shaming said in an email interview.  A therapist by

trade, she noted that it would normally be difficult to build a connection between jurors and a “beautiful, tall, striking” celebrity, but soft materials and colors — and a noticeable dearth

of brand logos — helped bridge the gap. “Gwyneth’s hair was very plain as well, either loose and straight or a low ponytail,” Shaming noted. “She wore her reading glasses often — I think

this was a big relatability factor. Every time she looked down at a court document she grabbed those and I thought, ‘Oh Gwynnie, I’m in my 40s too girl.’” WHAT TO KNOW ABOUT KAREN READ’S

TRIAL STYLE Read, a former Fidelity Investments equities analyst and finance professor, tends to favor “middle-high to high-end corporate labels,” according to Shaming, who has tracked down

some of Read’s attire.  Advertisement: “They are typically available at Nordstrom or Neiman Marcus — but not with a recognizable designer name like Prada, Gucci, etc.,” Shaming said, naming

Veronica Beard, Theory, and Smythe as a few of Read’s favored designers.  She described Read’s general wardrobe as “business attire but feminine and stylish” and said Read’s structured

silhouettes signal a few different buzzwords to jurors: “Power, stylish, classy, chic, expensive.” Most notably, Read often bucks the trend of defendants wearing softer shades, instead

opting for a structured wardrobe rich in black, gray, and navy. (She has, however, thrown some beige, white, and blue into the rotation on occasion.) Heading into the first day of Read’s

trial, “I figured the team would look to soften her look a bit,” Shaming recalled, adding, “I would’ve bet the farm they wouldn’t have had her in a blazer dress upon opening.” While she

described Read’s first-day outfit as “gorgeously tailored and very professional and striking,” she also pointed to defense attorney David Yannetti’s opening words: “Karen Read was framed.” 

“Being framed is a position of vulnerability,” Shaming said. “You are not the authority if you are being framed. In contrast I thought Karen’s look … was one of power.”  DOES KAREN READ’S

COURTROOM APPEARANCE MATCH HER NARRATIVE?  Both Shaming and Caple-Shaw also noted that Read’s wardrobe closely resembles her lawyers’ attire. Two of Read’s attorneys, Alan Jackson and

Elizabeth Little, are based in Los Angeles, “and Alan Jackson’s suits and tailoring per suit look to be very, very expensive,” Shaming noted. “So having Karen look like one of them may

separate her from the jury seeing her as ‘one of us.’”  Advertisement: Caple-Shaw acknowledged that Read’s defense team may have a strategy for how they’re presenting their client to the

jury. However, he noted that lawyers haven’t fared particularly well in a longstanding Gallup poll tracking trustworthiness in American professions.  Historically, “the only way that you

could be less credible with the average American is to dress like a politician or a used car salesman,” Caple-Shaw said, adding, “So why in the world you would want to put on an unlikeable,

untrustworthy costume to go into a credibility competition is beyond me.” However, he conceded that Read’s legal-minded attire may feed into the defense theory of a conspiracy.  “If you ask

someone who does jury [consultant] work, they will tell you that jurors right now are very susceptible to conspiracy theories,” Caple-Shaw said. “There’s a lot of mistrust in the system, and

so that’s a viable angle that they might be taking.” Still, he noted that Read’s facial expressions at times seem incongruous with the defense team’s narrative.   “She smiles a lot for

someone who, you know, is on trial for the death of supposedly a man she loved very much,” Caple-Shaw said. “The jurors are gonna see that.” Read’s behavior needs to be consistent with the

portrait she and her lawyers are painting for the jury, he said. He noted that jurors tend to put themselves in the shoes of a plaintiff or defendant.  Advertisement: “I think one of the

issues with her is that the hair, the makeup, the clothes and the expression all seem perfectly manicured, professional, and assertive,” Caple-Shaw said. “And someone who is on trial for

murder and who has lost someone that they dearly love, I think there are very few people who see someone in that position … as anything other than vulnerable, scared, and grieving.” “I’m not

seeing vulnerable and grieving,” he continued. “I’m seeing polished, assertive, on the attack. It doesn’t fit, right?” Likewise, Shaming believes Read is sending a clear message that she is

not a victim, but “a strong and powerful force.” “It could be seen as very progressive and admirable or it could be seen as something else entirely,” Shaming said. ABBY PATKIN Staff Writer

Abby Patkin is a general assignment news reporter whose work touches on public transit, crime, health, and everything in between. She has been covering the Karen Read murder case. NEWSLETTER

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